I never did give my final thoughts about Angels in America. Many posts back I
expressed my fairly conservative praise for the first half of the HBO production, but the second half revived my belief that it is one of the great works of my lifetime.
There is a lot going on and I think it took watching the second half to help me mentally clean up some of the perceived messiness of the first half. Despite the depressing subject matter, "Perestroika" turns Kushner's piece into a story about hope, survival, and living (with a little good vs. evil thrown in...Prior surviving, Roy dying). One of the themes (motif?) that really struck in the movie version was that of finding help in unexpected places: Mormon mom Hannah Pitt with Prior, Belize's tough love approach to the dying Roy, Roy's unused AZT stash to help others, Louis helping Joe come out. I could go on (though probably not very eloquently), but overall this is a very rich and challenging piece...deserving of much of the praise it has received. I am glad I did not end up being disappointed.
However, I think I had such strong memories of the seeing it on stage since it was one of the rare occasions I felt the sense of the local gay community. Needless to say, the "family" is a big supporter of the theater anywhere you go...but here in relative surburbia, you feel like very visible minority. Two guys at the theater draw very different conclusions than the same two guys at a baseball game (to be "Seinfeld-ian," not that there is anything wrong with that). The theater seats here are mostly filled with groups of women, wives dragging husbands along for payback for all the sporting events offered in this town, or families (for those Disney productions). So when Angels hit town 5-6 years ago, it was very empowering to sit with a full audience of what had to be 70%+ gay males.
I think that is why watching the movie version in my living room carried the burden of extra expectations... nothing HBO or Mike Nichols or the actors could do could replicate that experience. That is why I think the stage is such a vibrant and irreplaceable vehicle...raw and unedited acting (or singing) combined with the instant, spontaneous, and constant gauge of an audience.
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Movie mania continued last night with Mulholland Drive -- what a total mind f*ck!! But I guess I should have known that since it was "Written and Directed By David Lynch." I was keeping an open mind trying to piece together this movie... eventually this would all come together and make sense, I said to myself...ok, this is weird, very weird but keep going with it. Then about two hours in (and with 20-30 minutes left), Lynch completely turns over the apple cart...my mind is spinning, trying to mentally stay above water with the new "reality"...but before that could totally happen for me it was the dark screen and closing credits! What the f*ck?!
I immediately rushed to my computer for assistance. Sure enough I found some amateur (but expertly presented) help about the film. In minutes, my impressions of the film went from thinking it was an incomprehensible mess to simply a masterful work. I am pretty disappointed in myself that I needed what amounts to the "Cliff Notes" to get it...at one point in my life I thought myself to be a pretty good film connoisseur (was pretty close to getting a film minor in college...for all that would have been worth). I probably should have been more patient and let my mind process what I had just seen...but in this age of instant gratification, the Internet was a too tempting a source.
[WARNING: Do not go to this site if you have not seen the film or do want to see it]
Mulholland Drive: A Visual Analysis was an incredibly effective deconstruction of the film. While I am sure there are dozen more interpretations, this one cleared away the cobwebs and got the mental light-bulbs popping very quickly.
I am sure I will give Mulholland a second viewing with my new knowledge in hand. This is a movie that does not spoon-feed you every little piece of information and has a staying power beyond yesterday's newspaper. Most films these days don't do that...heck, 80% (90%?) of the time the trailers give away the entire the film.
While I like the breezy romantic comedy as much as the next guy (or should I say "gal"?), I think I should certainly make more of an effort to track down films that make me think...or at least make me need to race to the Internet to learn more.